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Tuesday, April 28, 2009
Monday, April 27, 2009
PIRACETAM, OTC drug
Thursday, April 23, 2009
What is Proloquo2Go?
Proloquo2Go™ is a new product from AssistiveWare that provides a full-featured communication solution for people who have difficulty speaking. It brings natural sounding text-to-speech voices, up-to-date symbols, powerful automatic conjugations, a default vocabulary of over 7000 items, full expandability and extreme ease of use to the iPhone and iPod touch.
Tuesday, April 7, 2009
SmallTalk for Aphasia SmallTalk for Aphasia
SmallTalk for Aphasia
SmallTalk for Aphasia Download on iTunes
Published 2 days ago
Lingraphica
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Designed for people with aphasiaan impairment of the ability to speak SmallTalk provides a vocabulary of pictures and videos that talk in a natural human voice.
SmallTalk contains a starter set of icons to introduce you to the Lingraphica system of aphasia communication. When used together with the Lingraphica speech-generating device, it allows you to personalize and expand the vocabulary to thousands of words.
This aphasia software lets you take along a set of words and phrases to use in everyday situations such as shopping, doctor's appointments, phone conversations, or emergencies. It's an easy way to make your wishes known or simply practice frequently used words.
SmallTalk also contains mouth-position videos for practice and self-cuing, great for stroke rehabilitation and recovery of speech.
Vérité exposée – about memory
Opening: Friday, 10 April 2009, 6 p.m.
Opening speech by: József Mélyi art historian
Ernst Museum Budapest is pleased to present the show Vérité exposée - about memory, as part of the festival FUTURSPEKTIV – New Flemish Masters
In the past fifteen years or so, the theme of memory, and inseparably, that of oblivion, has come to the forefront of sociological discourse in Hungary. Different theories approach from different directions, but all of them agree that memory is selective. We remember what we want to, recreating events from our memories in ways we want to remember them. But what influences individual memory, without which the workings of collective memory cannot be explored? How fragmented it is, and how does it depend on the context? The works featured at the exhibition Vérité exposée – about memory connect along such themes as the fragmentedness of memory, difference and repetition, re-creation of situations and events, or the strategy of re-enactment in relation to history and memory. The exhibited works of Sven Augustijnen, David Claerbout, Ana Torfs and Els Vanden Meersch lay emphasis on the issues of individual and historical memory and oblivion, as well as the exploration of processes of perception, changing points of view, and time as an entity that fundamentally influences memory.
The exhibition's title is referring to Ana Torfs' Vérité exposée (Truth Exposed, 2006) a series of 24 prints. Every print shows a distorted projection of a square-shaped light, each time from a different angle, with the word 'Vérité' (Truth), written by hand in the middle. ANATOMY (2006) is based on extensive research into a trial held in 1919 in Berlin: the 'Case of the Murder of Dr. Karl Liebknecht and Rosa Luxemburg', a document that has never been fully published. Torfs pinpointed selected statements from this trial to compose 'A Tragedy in Two Acts,' the literary script for her installation with the ambiguous title ANATOMY. The installation consists of large black and white slide projections and images on two television monitors.
In Sections of a Happy Moment David Claerbout records a single moment from a multitude of viewpoints, setting the truth of the multiplied image against single-perspective perception. His other work at the exhibition, Bordeaux Piece (2004), is a series of 69 twelve minute film sequences, each of which displays the same movie scene about love and betrayal. In this work, he examines what happens to a film scene if it is shot 69 times a day. How do the lights, the ambient sounds, the actors' performance, the emotions change? Are these really the same scene?
Els Vanden Meersch considers her photographs, sculptures and installations to be psychological portraits, in which the memory of architecture plays a key role: for her, architecture is memory's practice ground. Not so much as a memory of something formed into an image, than as the stimulation of the faculty of remembering in general. She presents Prora – a complex originally built as a Nazi holiday camp and then used as Soviet army barracks until the early nineties - as a colossal monument of post political oblivion.
Sven Augustijnen draws a delicate portrait of a patient with aphasia, suffering from chronic memory loss in his moving and unforgettable documentary films Johan (2001) and François (2003). The editing accentuates the unfocused and stammering line of thought of the aphasia patient.
With the support of the Flemish Government, the Ministry of Education and Culture, the Hungarian Culture Brussels, the National Cultural Fund and the Summa Artium.
ERNST MUSEUM, BUDAPEST
Nagymező u. 8.
H-1065 Budapest
Phone: (36 1) 413 1310
Fax: (36 1) 321 6410
info@mucsarnok.hu
http://www.mucsarnok.hu
http://www.kunsthalle.hu
Thinking Beyond Language: Intervention for Severe Aphasia
Nina Simmons-Mackie
Department of Communication Sciences & Disorders, Southeastern Louisiana University
Hammond, LA
Purpose: This article addresses several intervention approaches that aim to improve life for individuals with severe aphasia. Because severe aphasia significantly compromises language, often for the long term, recommended approaches focus on additional domains that affect quality of life. Treatments are discussed that involve increasing participation in personally relevant life situations, enhancing environmental support for communication and participation, and improving communicative confidence.
Methods: Interventions that have been suggested in the aphasia literature as particularly appropriate for people with severe aphasia include training in total communication, training of communication partners, and activity specific training.
Conclusion: Several intervention approaches can be implemented to enhance life with severe aphasia.
Department of Communication Sciences & Disorders, Southeastern Louisiana University
Hammond, LA
Purpose: This article addresses several intervention approaches that aim to improve life for individuals with severe aphasia. Because severe aphasia significantly compromises language, often for the long term, recommended approaches focus on additional domains that affect quality of life. Treatments are discussed that involve increasing participation in personally relevant life situations, enhancing environmental support for communication and participation, and improving communicative confidence.
Methods: Interventions that have been suggested in the aphasia literature as particularly appropriate for people with severe aphasia include training in total communication, training of communication partners, and activity specific training.
Conclusion: Several intervention approaches can be implemented to enhance life with severe aphasia.
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